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Time was away and somewhere else.
The waiter did not come, the clock
Forgot them and the radio waltz
Came out like water from a rock:
Time was away and somewhere else.

#416
from "Meeting Point (fragment)"
by Louis MacNeice

The tadpoles in the quiet bay of the brook are now far past the stage of inky black little wrigglers attached by their two little sticky pads to any stick or leaf, merely breathing through their gills, and lashing with their hair-fine cilia. A dark brown skin—really gold spots mottling the black—now proclaims the leopard frogs they will become.

#423
from "An Almanac for Moderns"
by Donald Culross Peattie

Operations of thought are like cavalry charges in a battle — they are strictly limited in number, they require fresh horses, and must only be made at decisive moments.

#475
from "An Introduction to Mathematics"
by Alfred North Whitehead

In abbreviated form, by a kind of symbol, only the most essential information is passed on and passed on only to those concerned. It is more than a metaphor to describe the price system as a kind of machinery for registering change, or a system of telecommunications which enables individual producers to watch merely the movement of a few pointers, as an engineer might watch the hands of a few dials, in order to adjust their activities to changes of which they may never know more than is reflected in the price movement.

#553
from "The Use of Knowledge in Society"
by Friedrich Hayek

On the Beach
Of that inflamed Sea, he stood and call'd
His Legions, Angel Forms, who lay intrans't
Thick as Autumnal Leaves that strow the Brooks
In Vallombrosa

#559
from "Paradise Lost"
by John Milton

As parents drift off to the sound some quaintly call typing, their children are deep inside multiple conversations with their “buddies,” pseudonymous pals listed vertically along one side of the screen. Pull a stealth P.O.S. (parent over shoulder) and you might catch a few screen alter egos — for instance, shebiscuit, kickflip10, latteladie, talkinghead88, Jesusraves, each with individualized sign-on sounds, audio cues reminiscent of the way each character in “Peter and the Wolf” is represented by its own instrument.

#583
from "The Overconnecteds"
by Betsy Israel

All moments, past, present, and future, always have existed, always will exist. The Tralfamadorians can look at all the different moments just the way we can look at a stretch of the Rocky Mountains, for instance. They can see how permanent all the moments are, and they can look at any moment that interests them. It is just an illusion we have here on Earth that one moment follows another one, like beads on a string, and that once a moment is gone it is gone forever.

[…]

They [the Tralfamadorians] couldn't imagine what time looked like to him. Billy had given up on explaining that. The guide outside had to explain as best he could.

The guide invited the crowd to imagine that they were looking across a desert at a mountain range on a day that was twinkling bright and clear. They could look at a peak or a bird or a cloud, at a stone right in front of them, or even down into a canyon behind them. But among them was this poor Earthling, and his head was encased in a steel sphere which he could never take off. There was only one eyehole through which he could look, and welded to that eyehole were six feet of pipe.

This was only the beginning of Billy's miseries in the metaphor. He was also strapped to a steel lattice which was bolted to a flatcar on rails, and there was no way he could turn his head or touch the pipe. The far end of the pipe rested on a bi-pod which was also bolted to the flatcar. All Billy could see was the little dot at the end of the pipe. He didn't know he was on a flatcar, didn't even know there was anything peculiar about his situation.

The flatcar sometimes crept, sometimes went extremely fast, often stopped—went uphill, downhill, around curves, along straightaways. Whatever poor Billy saw through the pipe, he had no choice but to say to himself, That's life. tang

#414
from "Slaughterhouse 5"
by Kurt Vonnegut

The man who created the world's most valuable brand remains an elusive figure when not in his grotto, often shielded by the tinted windows of a personalised executive sleigh that serves as his mobile office. Friends say that money is not his motivation, even though he is apparently seeking now to sell off all or part of his privately held empire. Talking to the elves, seeing the children smile, guiding the creative side of Christmas, these are the things that drive him, he says.

Yet the owner of the trademark beard and belly-laugh is also a man shrewd enough to have grasped the money-making potential of Christmas when nobody saw it as a commercial enterprise at all, and many thought it doomed to merge with New Year. Santa Claus, a former bishop from Asia Minor, thought differently. He did not invent Christmas, he likes to say now, but he did re-invent it. Probably nobody has ever seen the link between reindeer and revenues more clearly. “Besides”, says one high-ranking elf, “he throws great parties.”

Santa's quirky management style, combining large quantities of mulled wine with a tight grip on the reins, has turned the ho-hum into the ho-ho-ho. Once just a two-day affair in churches and private houses, Christmas is now the biggest-spending item in most western countries after health care and defence. The logistics of that success require Santa to be in thousands of malls by day and down millions of chimneys by night. Advisers say he relies on a series of proprietary algorithms derived from Heisenberg's uncertainty principle, which allow him to be in an infinite number of places simultaneously so long as nobody believes he is really in any one of them.

#588
from "Face value: Ho ho ho"
by The Economist