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The others cast themselves down upon the fragrant grass, but Frodo stood awhile still lost in wonder. It seemed to him that he had stepped through a high window that looked on a vanished world. A light was upon it for which his language had no name. All that he saw was shapely, but the shapes seemed at once clear cut, as if they had been first conceived and drawn at the uncovering of his eyes, and ancient as if they had endured for ever. He saw no colour but those he knew, gold and white and blue and green, but they were fresh and poignant, as if he had at that moment first perceived them and made for them names new and wonderful.

#51
from "The Fellowship of the Ring"
by J.R.R. Tolkien

It was a face that told of an amplitude of nature and of quick and free motions and, though it had no regular beauty, was in the highest degree engaging and attaching. Madame Merle was a tall, fair, plump woman; everything in her person was round and replete, though without those accumulations which minister to indolence. Her features were thick but there was a graceful harmony among them, and her complexion had a healthy clearness. She had a small grey eye, with a great deal of light in it—an eye incapable of dullness, and, according to some people, incapable of tears; and a wide, firm mouth, which, when she smiled, drew itself upward to the left side, in a manner that most people thought very odd, some very affected, and a few very graceful. Isabel inclined to range herself in the last category. Madame Merle had thick, fair hair, which was arranged with picturesque simplicity, and a large white hand, of a perfect shape—a shape so perfect that its owner, preferring to leave it unadorned, wore no rings.

#466
from "The Portrait of a Lady"
by Henry James