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Tag: Languages
Related Tags: renaissance man | renaissance | fear | paris | knowledge | language | language
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Wherefore, my son, I admonish thee to employ thy youth to profit as well as thou canst, both in thy studies and in virtue. Thou art at Paris, where the laudable examples of many brave men may stir up thy mind to gallant actions, and hast likewise for thy tutor and pedagogue the learned Epistemon, who by his lively and vocal documents may instruct thee in the arts and sciences.

I intend, and will have it so, that thou learn the languages perfectly; first of all the Greek, as Quintilian will have it; secondly, the Latin; and then the Hebrew, for the Holy Scripture sake; and then the Chaldee and Arabic likewise, and that thou frame thy style in Greek in imitation of Plato, and for the Latin after Cicero. Let there be no history which thou shalt not have ready in thy memory; unto the prosecuting of which design, books of cosmography will be very conducible and help thee much. Of the liberal arts of geometry, arithmetic, and music, I gave thee some taste when thou wert yet little, and not above five or six years old. Proceed further in them, and learn the remainder if thou canst. As for astronomy, study all the rules thereof. Let pass, nevertheless, the divining and judicial astrology, and the art of Lullius, as being nothing else but plain abuses and vanities. As for the civil law, of that I would have thee to know the texts by heart, and then to confer them with philosophy.

Now, in matter of the knowledge of the works of nature, I would have thee to study that exactly, and that so there be no sea, river, nor fountain, of which thou dost not know the fishes; all the fowls of the air; all the several kinds of shrubs and trees, whether in forests or orchards; all the sorts of herbs and flowers that grow upon the ground; all the various metals that are hid within the bowels of the earth; together with all the diversity of precious stones that are to be seen in the orient and south parts of the world. Let nothing of all these be hidden from thee. Then fail not most carefully to peruse the books of the Greek, Arabian, and Latin physicians, not despising the Talmudists and Cabalists; and by frequent anatomies get thee the perfect knowledge of the other world, called the microcosm, which is man. And at some hours of the day apply thy mind to the study of the Holy Scriptures; first in Greek, the New Testament, with the Epistles of the Apostles; and then the Old Testament in Hebrew. In brief, let me see thee an abyss and bottomless pit of knowledge.

Then I became aware of Touch. That's the best I can describe it in a single, unforced English noun. What they called this fourth-stage language varied from day to day, as I will try to explain.

[…]

I became aware that each of the members of the commune had no specific name at all. That is, Pink, for instance, had no less than one hundred and fifteen names, one from each of the commune members. Each was a contextual name that told the story of Pink's relationship to a particular person. My simple names, based on physical descriptions, were accepted as the names a child would apply to people. The children had not yet learned to go beneath the outer layers and use names that told of themselves, their lives, and their relationships to others.

What is even more confusing, the names evolved from day to day. It was my first glimpse of Touch, and it frightened me. It was a question of permutations. Just the first simple expansion of the problem meant there were no less than thirteen thousand names in use, and they wouldn't stay still so I could memorize them. If Pink spoke to me of Baldy, for instance, she would use her Touch name for him, modified by the fact that she was speaking to me and not Short-chubby-man.

Then the depths of what I had been missing opened beneath me and I was suddenly breathless with fear of heights.

Touch was what they spoke to each other. It was an incredible blend of all three other modes I had learned, and the essence of it was that it never stayed the same. I could listen to them speak to me in shorthand, which was the real basis for Touch, and be aware of the currents of Touch flowing just beneath the surface.

It was a language of inventing languages. Everyone spoke their own dialect because everyone spoke with a different instrument: a different body and set of life experiences. It was modified by everything. It would not stand still.

They would sit at the Together and invent an entire body of Touch responses in a night; idiomatic, personal, totally naked in its honesty. And they used it only as a building block for the next night's language.

I didn't know if I wanted to be that naked. I had looked into myself a little recently and had not been satisfied with what I found. The realization that every' one' of them knew more about it than I, because my honest body had told what my frightened mind had not wanted to reveal, was shattering. I was naked under a spotlight in Carnegie Hall, and all the no-pants nightmares I had ever had came out to haunt me. The fact that they all loved me with all my warts was suddenly not enough. I wanted to curl up in a dark closet with my ingrown ego and let it fester.

I might have come through this fear. Pink was certainly trying to help me. She told me that it would only hurt for a while, that I would quickly adjust to living my life with my darkest emotions written in fire across my forehead. She said Touch was not as hard as it looked at first, either. Once I learned shorthand and bodytalk, Touch would flow naturally from it like sap rising in a tree. It would be unavoidable, something that would happen to me without much effort at all.

I almost believed her.


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