[Golan:]“I wonder if we can manipulate time.”

[Perorat:]“Time! How can we do that?”

[Golan:]“The Galaxy is rotating. It takes nearly half a billion years for Terminus to move about the grand circumference of the Galaxy once. Stars that are closer to the center complete the journey much more quickly, of course. The motion of each star, relative to the central black hole, might be recorded in the computer and, if so, it may be possible to have the computer multiply each motion by millions of times and make the rotational effect visible. I can try to have it done.”

He did and he could not help his muscles tightening with the effort of will he was exerting—as though he were taking hold of the Galaxy and accelerating it, twisting it, forcing it to spin against terrible resistance.

The Galaxy was moving. Slowly, mightily, it was twisting in the direction that should be working to tighten the spiral arms. Time was passing incredibly rapidly as they watched—a false, artificial time—and, as it did so, stars became evanescent things. Some of the larger ones—here and there—reddened and grew brighter as they expanded into red giants. And then a star in the central clusters blew up soundlessly in a blinding blaze that, for a tiny fraction of a second, dimmed the Galaxy and then was gone. Then another in one of the spiral arms, then still another not very far away from it.

“Supernovas,” said Trevize a little shakily. Was it possible that the computer could predict exactly which stars would explode and when? Or was it just using a simplified model that served to show the starry future in general terms, rather than precisely?

Pelorat said in a husky whisper, “The Galaxy looks like a living thing, crawling through space.”

Sown in the days manure
I watch my love grow

He did not still feel weak, he was merely luxuriating in that supremely gutful lassitude of convalescence in which time, hurry, doing, did not exist, the accumulating seconds and minutes and hours to which in its well state the body is slave both waking and sleeping, now reversed and time now the lip-server and mendicant to the body's pleasure instead of the body thrall to time's headlong course.

Eckels glanced across the vast office at a mass and tangle, a snaking and humming of wires and steel boxes, at an aurora that flickered now orange, now silver, now blue. There was a sound like a gigantic bonfire burning all of Time, all the years and all the parchment calendars, all the hours piled high and set aflame.

A touch of the hand and this burning would, on the instant, beautifully reverse itself. Eckels remembered the wording in the advertisements to the letter. Out of chars and ashes, out of dust and coals, like golden salamanders, the old years, the green years, might leap; roses sweeten the air, white hair turn Irish-black, wrinkles vanish; all, everything fly back to seed, flee death, rush down to their beginnings, suns rise in western skies and set in glorious easts, moons eat themselves opposite to the custom, all and everything cupping one in another like Chinese boxes, rabbits into hats, all and everything returning to the fresh death, the seed death, the green death, to the time before the beginning. A touch of a hand might do it, the merest touch of a hand.

I was born in the city of Bombay…once upon a time. No, that won't do, there's no getting away from the date: I was born in Doctor Narlikar's Nursing Home on August 15th, 1947. And the time? The time matters, too. Well then: at night. No, it's important to be more… On the stroke of midnight, as a matter of fact. Clock-hands joined palms in respectful greeting as I came.

Instructions on how to wind a watch

There at the end is death, but don't be afraid. Hold the watch down with one hand, take the stem in two fingers, and rotate it smoothly. Now another installment of time opens, trees spread their leaves, boats run races, like a fan time continues filling with itself, and from it burgeon the air, the breezes of earth, the shadow of a woman, the sweet smell of bread.

What did you expect, what more do you want? Quickly strap it to your wrist, let it throb away in freedom, imitate it longingly. Fear rusts the escapements, everything that could have happened and was forgotten corrodes the watch's veins, cankering the cold blood of its tiny rubies. And there at the end is death, unless we run to arrive beforehand and understand it's already unimportant.

There is, for example, a performance of Czech mimes or Thai dancers at the theather where I go with my wife and a friend, and I know that once the show starts I am going to find it all marvelous. I am entertained, deeply moved; the dialogues or the dancers' motions seem like supernatural visions to me. I applaud wildly, and sometimes the tears well up in my eyes or I laugh until I have to pee; in any event, I am glad to be alive and to have had this opportunity to go to the theater or to the movies or to an exhibition, anywhere extraordinary people make or show things never before imagined, where they invent a place of revelation or communication, something that washes away the moments when nothing is happening, nothing but what always happens.

So I am overwhelmed, I am so delighted that at the intermission I rise up enthusiastically and continue to applaud at length, and I tell my wife that the mimes are a marvel and that the scene where the fisherman casts out his line and hauls in a phosphorescent fish half the height of the stage is absolutely fantastic.

Time passed. The slam of his heart lessened. The sweat streaming from his pores turned from hot to cool, made his smart clothing clammy. He began to shiver and then, with no warning, found he was sobbing. Not weeping —his eyes were dry— but sobbing in huge gusting gasps, as though he were being cruelly and repeatedly punched in the belly by a fist that wasn't there.

The bell was silent in the air
Holding its inverted poise —
Between the clang and clang a flower,
A brazen calyx of no noise:
The bell was silent in the air.

On the back part of the step, toward the right, I saw a small iridescent sphere of almost unbearable brilliance. At first I thought it was revolving; then I realised that this movement was an illusion created by the dizzying world it bounded. The Aleph's diameter was probably little more than an inch, but all space was there, actual and undiminished. Each thing (a mirror's face, let us say) was infinite things, since I distinctly saw it from every angle of the universe. I saw the teeming sea; I saw daybreak and nightfall; I saw the multitudes of America; I saw a silvery cobweb in the center of a black pyramid; I saw a splintered labyrinth (it was London); I saw, close up, unending eyes watching themselves in me as in a mirror; I saw all the mirrors on earth and none of them reflected me; I saw in a backyard of Soler Street the same tiles that thirty years before I'd seen in the entrance of a house in Fray Bentos; I saw bunches of grapes, snow, tobacco, lodes of metal, steam; I saw convex equatorial deserts and each one of their grains of sand; I saw a woman in Inverness whom I shall never forget; I saw her tangled hair, her tall figure, I saw the cancer in her breast; I saw a ring of baked mud in a sidewalk, where before there had been a tree; I saw a summer house in Adrogué and a copy of the first English translation of Pliny—Philemon Holland's—and all at the same time saw each letter on each page (as a boy, I used to marvel that the letters in a closed book did not get scrambled and lost overnight); I saw a sunset in Querétaro that seemed to reflect the colour of a rose in Bengal; I saw my empty bedroom; I saw in a closet in Alkmaar a terrestrial globe between two mirrors that multiplied it endlessly; I saw horses with flowing manes on a shore of the Caspian Sea at dawn; I saw the delicate bone structure of a hand; I saw the survivors of a battle sending out picture postcards; I saw in a showcase in Mirzapur a pack of Spanish playing cards; I saw the slanting shadows of ferns on a greenhouse floor; I saw tigers, pistons, bison, tides, and armies; I saw all the ants on the planet; I saw a Persian astrolabe; I saw in the drawer of a writing table (and the handwriting made me tremble) unbelievable, obscene, detailed letters, which Beatriz had written to Carlos Argentino; I saw a monument I worshipped in the Chacarita cemetery; I saw the rotted dust and bones that had once deliciously been Beatriz Viterbo; I saw the circulation of my own dark blood; I saw the coupling of love and the modification of death; I saw the Aleph from every point and angle, and in the Aleph I saw the earth and in the earth the Aleph and in the Aleph the earth; I saw my own face and my own bowels; I saw your face; and I felt dizzy and wept, for my eyes had seen that secret and conjectured object whose name is common to all men but which no man has looked upon—the unimaginable universe.

I felt infinite wonder, infinite pity.

The darkness crumbles away—
It is the same old druid Time as ever.
Only a living thing leaps my hand—
A queer sardonic rat—
As I pull the parapet's poppy
To stick behind my ear.

[…]

Poppies whose roots are in man's veins
Drop, and are ever dropping;
But mine in my ear is safe,
Just a little white with the dust.

All moments, past, present, and future, always have existed, always will exist. The Tralfamadorians can look at all the different moments just the way we can look at a stretch of the Rocky Mountains, for instance. They can see how permanent all the moments are, and they can look at any moment that interests them. It is just an illusion we have here on Earth that one moment follows another one, like beads on a string, and that once a moment is gone it is gone forever.

[…]

They [the Tralfamadorians] couldn't imagine what time looked like to him. Billy had given up on explaining that. The guide outside had to explain as best he could.

The guide invited the crowd to imagine that they were looking across a desert at a mountain range on a day that was twinkling bright and clear. They could look at a peak or a bird or a cloud, at a stone right in front of them, or even down into a canyon behind them. But among them was this poor Earthling, and his head was encased in a steel sphere which he could never take off. There was only one eyehole through which he could look, and welded to that eyehole were six feet of pipe.

This was only the beginning of Billy's miseries in the metaphor. He was also strapped to a steel lattice which was bolted to a flatcar on rails, and there was no way he could turn his head or touch the pipe. The far end of the pipe rested on a bi-pod which was also bolted to the flatcar. All Billy could see was the little dot at the end of the pipe. He didn't know he was on a flatcar, didn't even know there was anything peculiar about his situation.

The flatcar sometimes crept, sometimes went extremely fast, often stopped—went uphill, downhill, around curves, along straightaways. Whatever poor Billy saw through the pipe, he had no choice but to say to himself, “That's life.”

Those of you young and technologically inclined may find this difficult to believe, but the average cell phone user cannot use many features you may find standard, such as call-waiting, call-forwarding, and conferencing. Apple has made these features completely accessible to all but those dangling their legs off the far end of the bell shaped curve.